About dirty (mistake) lemon yellow

關於髒掉的檸檬黃色
About dirty (mistake) lemon yellow
2021｜Installation lamps, drawing, images, projection, words, notebooks, canvases, stands, etc.｜Dimension variable｜Zone Art
10.07–10.31

Old Page



×


Sketch Table
2021｜Paper and glass｜28.2×20.3cm, 14.1×20.3cm

×


< 初次見面 >
First encounter
2021｜石膏 ​Plaster｜10×21×5cm*2


< 形態是對的，顏色是錯的 >
The disposition is right, the colour is wrong
2021｜Photographic print｜13.5×9cm



< Flower >
2021｜燈具、濾片 Exhibition lights, filters｜30×30×17.5cm


< 一張背光的照片，一張過曝的照片 >
A photo in shadow,a photo overexposed
2021｜ Canson printing paper｜10.2× 15.2cm*2

< 陰影 >
Shadow（閃光 Spot light、89°）
2021｜Cloth, frame｜​70×60cm


< 快門線 > 
Shutter cable
2021｜投影 Project two images｜Dimension Variable


You can only get the one where you pressed the shutter button, not the one where you let go of the shutter button.


×

< 交換木紋 >
Woodgrain switch
2021｜木心板 Wooden board｜58×42cm*2


< 向S借來的作品 >
Works from Steed
2021｜Photographic print, frame｜58×42cm*2


×

^^^^
2021｜Long Folding Paper｜Dimension Variable

×

< 向S借來的作品 >
Works from Steed
2021｜Photographic print, frame｜50×40cm


<初次見面>
First encounter
2021｜紙本、柚木框 Paper, teak frame｜23.5×34.5cm


×

< 關於髒掉的檸檬黃色 >
About dirty (mistake) lemon yellow
2021｜紙本、山毛櫸框 Paper, beech frame｜40.3×47.4cm


< 一張背光的照片，一張過曝的照片 >
A photo in shadow, a photo overexposed
2021｜紙本、胡桃木框 Paper, walnut frame｜40.3×47.4cm


< 半天,一整天,兩天,兩天半,三天,五天,一週 >
< 一天,一天,一天,半週,一週 >
2021｜Cutting Sheel, two lines of text｜Dimension Variable
（It is placed on a table stand in the exhibition hall and rolled up so that it can be opened by the audience.）



Exhibition table with booklet artwork, autograph book, exhibition presentation, floor plan.


Door


×

×



書冊
Booklet
2021｜紙本印刷 Printing on paper，9×13cm / 18P / 左翻 / 黑白膠裝｜初版 _/50，加印 _ /20
HERE


×

他第一次為他的作品們找到了想做的內容，過往單點跳躍的思考終於稍稍成了一片網，關於幾乎要忘記的上個冬季後的春季，在他眼裡都叫做冬天。視覺所見你可能會色偏，你描述物件可能會失敗，在說話的同時你想著其他尚未落下來的，必須用時間才能接住的，事物。顏料與可能的顏料被找來，放在可能有光的地方，那些亮亮的部分，你能把握它的形狀，卻抓不住它的顏色，我在時間裡與另個可能的角色互動，收穫他可能的日常，三件併做一件事做，成了這次展覽。
 

這是一個畫畫的人去做的其他的事。


For the first time, he realised what he wanted to do for his work. The thoughts jumping from one single point to another have finally gathered to form a net. For the spring that came after the nearly-forgotten past winter, he saw it as winter. Since all that you can see with your eyes exist chromatic aberration, you may fail to describe objects. When speaking, you think about other things that have not yet fallen and can only fall into the hands of time. Pigments and possible pigments are found and placed where there seems bright, and in those possible light parts, you can grasp the shape but not the colour. I interact with a potential person in time, harvesting his possible everyday, doing three things as one, which becomes this exhibition.
 

This is something else a painter does